Helmed by Bristol sound co-founder the musician-producer, this sharp-edged though slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, enraged after David kills his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
There is only one key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from 17 November.
